Showing posts with label final major project. Show all posts
Showing posts with label final major project. Show all posts

Monday, 21 January 2013

Parrot Pigeon

My pigeon - recoloured using the colour of a Macaw parrot (underneath)


I finally got round to re-colouring my pigeon using a 'paradise' colour scheme. I just hope it's still recognisable as a pigeon... I still need to make it look less digital. I did print it off and start to cut and re-stick down individual triangles, but it would have taken me such a long time, so continued by cutting and sticking larger shapes. I'll probably experiment next by adding paper textures to make it less digital/artificial looking.

Monday, 22 October 2012

Point 1: Definition of project




Definition of your project:
I have always thought it important for people to observe the world around them. Once a person has begun to take notice of the world, they will be able to think about it in their own way. Both my Research Project and FMP are on the subject of Observation - 'Look around. Look up.'

My FMP will be a series of 8 bird prints of birds of different sizes, in order from small to large. They will be of British garden birds which most people will (hopefully) recognise and be able to identify.

They will be decorative prints, which will commune the simplicity of a bird form, in an abstract format, using overlapping colour shapes and no line, which will contrast with the actual birds themselves. This is partly to do with encouraging people to observe how the birds should look, by showing them the unfamiliar, so they can become familiar with the real thing by comparing the two (a deliberate contrast between abstracted form and reality).

Audience:
The prints will be for use in decorating an interior space - bringing nature indoors. The prints will not be of large size, so will not be a main feature, but will form part of the decor. I hope to make them of a high-quality - in colour, style, and print paper. They will appeal to collectors of limited edition prints, bird artists, bird watchers (twitchers), and/or people who own or have access to their own space. The style will appeal more so to people with an artistic sense, rather than a scientific one of birds, as the prints will be not be photo-realistic. Age range - 18+ perhaps with a more 'modern' graphical taste than a traditional art taste (painting etc.).

Justification of project:
I have always had an interest in travel, as a child I had a fantastical imagination, and I was particularly drawn to things that fly. I have partly chosen the idea of bird prints because I have an interest in nature and animals of the natural world. Although I am not a twitcher myself, I enjoy watching birds. I know that many others are interested in flight/birds, and that birds are quite a favourite amongst people with an interest in nature. I have to chosen to create prints because I want to create something special - something that will be looked after, displayed, and treasured. I have also chosen screen-printing because it gives the prints a home-made quality, and due to the nature of two-colour printing the alignment will be different every time, which makes every print unique.

The reason I have chosen to create the prints in such a style is due to the change in my Illustrative taste. Originally I had a liking for the very detailed work by artist's such as Arthur Rackham and Alphonse Mucha. Although I still like these artists' work, I now prefer more simple, graphical work similar to some of the artists referred to in one of my later points.

Point 2: Research Development and Experiments

Experiments:

1. Visit to the Oxford Museum of Natural History

Sketch page example
2. Media Experiment - creating a form using shapes (without using an outer line). Originally done as part of Research Project.
Toucan sketch
Triangle outline (using a pencil, ruler, and light box)
Drawing and colouring of triangles using Photoshop (each triangle re-drawn free-hand) process
Toucan complete with background colour

3. Misc. work created using found images (created before choosing my exact outcome of FMP):





4. More triangle experiments -
 Full body (and less exotic choice) of bird:

Pigeon - bare triangle 'skeleton'

Process of creating the body using digitally drawn and coloured shapes

Finished Pigeon body with coloured background

Non-bird form:

Observational sketch of pinwheel (made by hand)

Finished digital drawing of Pinwheel (triangles drawn freely without any  initial pencil triangle 'skeleton'

5. Two-colour screen printing test:

Bird sketch

Initial 'figuring out' of darker and lighter areas (using different coloured highlighters)

Dark and light colour layers laid on top of each other on lightbox

Colour separations created in black marker for photocopying

Finished screen print
6. Mock-up triangle 'Screen-print':

Quick triangle 'skeleton' created for first chosen bird

Colour separations created as separate Photoshop layers (included a third 'lightest' layer) 

All three colour separations 'laid' on top of each other in Photoshop. The blue layer  has slightly  lower opacity, but it is hard to tell due to the nature of the 'flatness' of the digital image.

Point 3: Visualisation of content

'Storyboard' (roughs):
Sketch examples:
Robin sketch
Blackbird sketch
Pigeon sketch
Wren sketch
Quick observational drawings of chosen birds in size order (8)

Style examples:

Screen-print
Digital mock-up of triangle 'screen print'
Quick selection of possible bright colours to use and combine when screen-printing
Dummy:

6" x 4" digital print-out in a 7" x 5"


Point 4: Contextualisation of project

Artists:

1. Abstract Painter: Wassily Kadinsky 




2. Matt W. Moore


3. Jamie Bryan




4. Abby Diamond




5. Claire Scully



6. Sam Harris




7. Josh Brill